![]() But if bubblegum melodies, outfits that slay, and pectoral-forward fun is what you’re after, the shoe fits. This Cinderella doesn’t have that much to say in the end. And thanks to the twist that falls from the sky, she is free to indulge in her fairytale ending-curiosity. Cinderella undergoes a makeover and arrives at the ball virtually unrecognizable, all sequins and curves and eyelash extensions. Dobson is a thoroughly modern leading man, a supposed schlub with killer dance moves and pipes that belie his skinny frame.Īs the show moves into its second act, the theme of rebellion dissipates. The highlight, though, is I Know You, an arch and expertly executed duet between the Queen (Grace McLean) and the Stepmother (Carolee Carmello) that should give all the Real Housewives a run for their money.Ĭinderella spends her time palling around with Prince Charming’s younger, dweeby, chinless brother Sebastian (Jordan Dobson). Andrew Lloyd Webbers Cinderella is a stage musical with music by Andrew Lloyd Webber, lyrics by David Zippel and a book by Emerald Fennell that is expected. She gives the role her all, including a flair for stomping around the stage and giving Cinderella a Brooklyn accent. It is hard not to root for a woman who was, until recently, a bank employee. Still helmed by Connor, the show has been rejiggered and features a new cast, including its lead, Linedy Genao, the first Latina woman to star in a Lloyd Webber production. At the final show last May, after less than a year of a stop-and-start performance schedule, director Laurence Connor read a letter by Lloyd Webber over a chorus of boos, calling the production “a costly mistake”. He declared that he was determined to open at full capacity, even if it meant his arrest. Lloyd Webber did not take the city’s pandemic protocols in stride. The original London production that was supposed to open in the early days of Covid was postponed several times before its painfully short and unprofitable run. The behind-the-scenes story has been anything but beautiful. Female characters prune and primp and book plastic surgery appointments, and are seen sporting bandages on their faces (whether this is a nod to the masked hero of Lloyd Webber’s Phantom of the Opera or our current Ozempic era is anyone’s guess). Loosely adapted from the classic story of the same name, plot changes include recast gender relationships and thematic exploration of beauty shaming. ![]() The French town of Belleville is an equal opportunity land of vanity. An even more rousing visual is the gang of shirtless men who are on hand to burst into Magic Mike-ish dances at the drop of a beat. The bon-bon aesthetic comes to us courtesy of Gabriela Tylesova, who designed the twinkly sets as well as the mouthwatering costumes, a colorful parade of voluminous dresses that would have Carrie Bradshaw’s eyes pinwheeling. Savage, Tregony Shepherd, Dave Schoonover, Paige Smallwood, and Aléna Watters rounding out the Ensemble, and Alyssa Carol, Gary Cooper, Robin Masella, Michael Milkanin, Chloe Nadon-Enriquez, and Lucas Thompson as Swings.The staging owes a great debt to the school of Disney, with eye candy aplenty. The ensemble includes Raymond Baynard, Michael Baerga, Lauren Boyd, Tristen Buettel, Kaleigh Cronin, Josh Drake, Jaquez, Ben Lanham, Angel Lozada, Mariah Lyttle, Sarah Meahl, Christian Probst, Larkin Reilly, Julio Rey, Lily Rose, J. Linedy Genao leads the Broadway cast as Cinderella, alongside Carolee Carmello as the Stepmother, Grace McLean as the Queen, Jordan Dobson as Sebastian, Morgan Higgins as Marie, Sami Gayle as Adele, Christina Acosta Robinson as the Godmother, and Savy Jackson as the Cinderella alternate. The design team for Bad Cinderella includes Gabriela Tylesova (Scenic and Costume Design), Tony Award nominee Bruno Poet (Lighting Design), Tony Award-winner Gareth Owen (Sound Design), Luc Verschueren (Hair and Wig Design) Laurence Connor directs, with choreography by JoAnn M. The production features music by Webber, an original story and book by Oscar winner Emerald Fennell, lyrics by David Zippel, and additional book material by Alexis Scheer. To the flawless residents and royals of Belleville, this damsel IS the distress.” Only one stubborn peasant stands in the way of absolute perfection: Cinderella. It will have played 33 previews and 85 performances.Ī modern retelling of the classic fairytale, Bad Cinderella is described as follows: “In the exceptionally beautiful kingdom of Belleville, the fields are idyllic, the prince is charming, and the townsfolk are ravishing. On the heels of a West End run, the show began previews February 17, officially opening on March 23. Linedy Genao as Cinderella in Broadway’s Bad Cinderella.Īndrew Lloyd Webber’s Bad Cinderellawill take its final bow on Broadway on June 4 at the Imperial Theatre.
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